,, W.A Production Vocal Compressor, Buy W.A Production Vocal Compressor, Download W.A Production Vocal Compressor at Plugin, Easy to use compression designed especially for vocals, Extra Virtual Cash claimed immediately at checkout. This is a character effect (processor to be accurate). If you’re looking for a compressor to replace your DAW’s stock one, check out the Pro-C 2. But it has also proven itself as a competent vocal compressor as well. Throw in gating & colour controls alongside options for parallel compression and you’ve got an all-in-one compression tool that suits vocals perfectly but will also work well on synths, bass, leads and other audio. Based on the original 1969 solid-state compressor, the Waves CLA-3A boasts a transparent compression curve. This compressor isn’t a jack of all trades. Upside? The tone is fantastic and the plugin is a joy to use. Besides the Tube-Tech, the other compressors so far have tended to be rough and rowdy (which has its charm) but the TLA-100 is smoother and less noticeable as it goes about its work. Especially when it comes to vocal mixing. This means the units respond very nicely to being hit hard. A nice little addition to a plugin. Download Graillion Auto-Tune Plugin. You can even pop it full screen on an unreasonable large Retina display! W.A Production have created Vocal Compressor to solve that problem, featuring a compression chain that’s transparent, balanced and adds a subtle flavour, colour and grit to make vocals sit perfectly in a mix. Namely: Waves CLA-76, Softube FET and Summit Audio TLA-100. With vocal audio constantly wavering between high and low levels, a good compressor is nothing short of essential to the final mastering process. The live visuals of the interface meters show exactly what’s happening to the signal as it travels through each compressor in real-time. The Teletronix LA-2A is prized for its electro-luminescent optical attenuator. Needless to say, producers who want more control over the attack and release times may find the Renaissance Vox too wild of a beast to tame. “Smooth”, “controlled”, and “softening” are common adjectives applied to the TLA-100. A high-ticket opto unit that many love for its “musicality,” but may be out of some user’s budget. Categorised into distinct themes, these presets can be used on all sorts of audio, not just vocals. Other than that, another thing to look for in a compressor  is versatility. This site uses Akismet to reduce spam. So it’s a good idea to take a look to see if you’re lucky. While some user reviews do not seem convinced of the V-Comp’s emulation of the actual 2254 machine, many are satisfied with its silky smooth compression. This one looks more like a 70’s Hi Fi than the original though. And it does this to excellent effect. But honestly, it is doubted that they can really compete with the dedicated units mentioned above. Softube is a great name in overdrive DSP and this FET emulation has many, many fans. What the R-Vox lacks in visual appeal, it makes up for in its ‘under the hood’ bag of tricks. Also, if you ever needed to learn how to use a compressor for mixing vocals, you’ll probably find about as many engineers on Youtube showing you how to mix vocals via the FabFilter Pro-C2 than any other one mentioned. Vocal King helps glue the vocal in a mix, and it comes preloaded cool parameters, that could help in customizing the audio signal of a vocal track. That’s why I present you MAutoPitch, one of the best Auto-tune alternatives around. Compressor VSTs. Keep pushing that threshold down until things sound good. Then, you can decide if you want to commit to a path, like owning one unit that you use for everything, or having a couple that fits diverging tastes. Add 2db of Gain and suddenly your sound is different. But for the vanilla producer/engineer, the FabFilter Pro-C2 has so many possibilities. There are “Character” units, and “Vanilla” units. While it’s the best vocal VST plugin out there, not everyone can spend $400+ on just 1 tool. Sometimes those things will conflict a bit. I may just suggest that it could see you struggle with less controlled singers like Rappers. Softube added a few extra features including a separate saturation section so you can control how tubular it all gets. While definitely among the most expensive in the list, its versatility and its added features make it worth every buck. If you want to learn more about our affiliate partners, click here. For a more detailed explanation of each, read this real funny exposition of audio compression in music production. Their plugins used to be really expensive. So be aware that, while you can use it on everything, including vocals, you may find that you’d want to slap this bad boy onto different things in different places. In the latter case you won’t have one unit that you have to “fight with” to submit to every path that comes across your DAW. However, picking off a couple isn’t good enough, compressors differ based on character and style. The bypass control is smoothed to be as click and pop free as possible for unhindered A/B testing when combined with the Output dial. If you want just one compressor and don’t mind the vanilla, FabFilter Pro-C2 is the one ring to rule them all. Honest Gear Suggestions for Home Studio Owners and Music Producers. Great for drums as you can really flatten them to add thickness, edge and size. is a participant in a variety of affiliate programs, such as Amazon Associates and Loopmasters Affiliate Program. The Parallel options seems slightly unusual as that effect is normally used with more brutal compressors but we won’t complain that it is there. This is a nifty feature that can be turned on and off with a single switch. This is character processing at its best, and if the unit sounds good then you can’t beat it. 9 Best Vocal Compressor Plugin VST Software – Mixing the Perfect Vocals Let’s get your vocals under control with the best vocal compressor plugin software. Input, Output, speed the Ratio Curve operates, and then a section of Ratio pre-sets. It has more than you would ever expect from a product of its price point. The first step in the chain is often compression, but with so many different types of compressors to choose from which is the perfect solution for your vocals? None other than Drake’s producer Noah “40” Shebib has praised this plugin as “one of the most important plugins ever made.” These high words of praise are only equaled by the Waves Renaissance Vox’s packed features. Softube added some more modern features (along with improving the flow of the knobs) so you can parallel process and alter what parts of the signal trigger the processing goblins. Also included is a limiter that can be used independently. Like the CLA-2A, it uses an optical attenuator for gain reduction. It is part of your “sound.”. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. Sounds dull, I know, but in-practice they can be great. More Softube, more emulation. The human voice is one of the most dynamic musical instruments, and therefore presents unique challenges when recording and mixing. W. A. When you want a lush reverb tucked underneath the vocal, this plugin does the job. Needless to say, the V-Comp is a good option for those who want the most out of their buck, especially if you’re going for an easy-to-use plugin that fits most styles of sound. Or so it would seem with another 1176 emulation. This is the modern jack of all trades, cover every piece of ground, device that many of us bedroom boys love. Another minimalistic blast from the past. This is the only unit here to offer control over the Knee of the compression critters. It is all about the secret DSP sauce of how nothing is really linear. Not only in the “I can’t believe it’s not butter” processing, but in dramatic or effect processing that makes it hard to pass by. Included when buying the CLA-2A are presets made by Grammy-winning mix engineer Chris-Lord-Alge, a side-chain frequency filter, and a limiter mode.

vocal compressor plugin

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